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ROUGH CUT PRESS – Nnadi Samuel (he/him/his) holds a B.A. in English & literature from the University of Benin. His works have been previously published in Suburban Review, Seventh Wave Magazine, North Dakota Quarterly, Quarterly West, Blood Orange Review, Uncanny Magazine, PORT Magazine, The Cordite Poetry Review, Gordon Square Review, Trampset, Beestung Magazine, Rigorous Magazine, Blue Nib journal, Kaleidoscope Magazine, Stonecrop Review, The Elephant Magazine, Birmingham Arts Journal, Lunaris Review, Inverse Journal, Canyon Voices, Journal Nine, Liquid Imagination, Silver Blade Journal, Star*Line Science Fiction & Poetry, Zoetic Press, Subterranean blue poetry, The Quills, Eunoia Review & elsewhere. Winner of the Miracle Monocle Award for Ambitious Student Writers 2021, and Canadian Open Drawer contest 2020. He won the Splendor of Dawn Poetry Contest April 2020, won the Bkpw Poetry Workshop Contest 2021, got shortlisted in the annual Poet’s Choice award & was the second-prize winner of the EOPP 2019 contest. A finalist of the Lumiere Contest 2021, Quarterly West’s Inaugural Contest 2020, NSPP 2020 prize, Hollins University Literary Festival Awards, Zocalo Poetry Competition 2021 & Pushcart Nominee. He is the author of “Reopening of Wounds” & “Subject Lessons” (forthcoming). He reads for U-Right Magazine. He tweets @Samuelsamba10.

ROUGH CUT PRESS – Susan Stryker, who received her PhD from the University of California, Berkeley, and completed her postdoctoral research at Stanford, is a pioneer in the field of transgender studies. Before her appointment at Mills, Professor Stryker held appointments at Harvard, Yale, University of California, Santa Cruz, and Simon Fraser University. Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, and Barbara Lee Distinguished Chair in Women’s Leadership at Mills College. According to Inside Higher Ed, she is “a driving force” in expanding academic programs and faculty hiring for transgender studies.

ROUGH CUT PRESS – Jen Richards is a writer and actress, as well as a consultant and advocate. She can currently be seen in the independent feature Gossamer Folds. Prior to that, she played opposite Kathryn Hahn in the HBO series Mrs. Fletcher. She also played the lead in a critically acclaimed episode of Netflix’s revival of Tales of the City, which looks back at a young Anna Madrigal (played by Olympia Dukakis) arriving in 1960’s San Francisco.

ROUGH CUT PRESS – Denice Frohman is a poet, performer, and educator from New York City. A CantoMundo Fellow, she’s received residencies and awards from the National Association of Latino Arts & Cultures, Leeway Foundation, Blue Mountain Center, and Millay Colony. Her work has appeared in The BreakBeat Poets: LatiNext, Nepantla: An Anthology for Queer Poets of Color, The New York Times, ESPNW and garnered over 10 million views online. A former Women of the World Poetry Slam Champion, she’s featured on national and international stages from The White House to The Apollo, and over 200 colleges and universities. She co-organized #PoetsforPuertoRico and lives in Philadelphia.

ROUGH CUT PRESS – Diannely Antigua is a Dominican American poet and educator, born and raised in Massachusetts. Her debut collection Ugly Music (YesYes Books, 2019) was the winner of the Pamet River Prize and a 2020 Whiting Award. She received her BA in English from the University of Massachusetts Lowell where she won the Jack Kerouac Creative Writing Scholarship; and received her MFA at NYU where she was awarded a Global Research Initiative Fellowship to Florence, Italy. She is the recipient of additional fellowships from CantoMundo, Community of Writers, and the Fine Arts Work Center Summer Program. Her work has been nominated for both the Pushcart Prize and Best of the Net. Her poems can be found in Washington Square Review, Bennington Review, The Adroit Journal, and elsewhere. Her heart is in Brooklyn.

ROUGH CUT PRESS – “I was stuck in a bus during a decimating New Jersey winter the first time Andrea Gibson spoke to me through my right headphone (the left one was broken). The poem was grief and glory in the same breath; it was called ‘Dive.'”